Friday, August 28, 2009

Last Chance


Fifth Street School Auditorium

401 South 4th Street
Las Vegas, NV 89101

Friday, September 4 , 2009 @ 7:00 PM
Artist's Lecture and Screening:

Christoph Draeger - Last Chance


Born in Zurich, Switzerland, in 1965, Christoph Draeger is known for investigating the events and sites of disaster and, more recently, the utopian thought and culture of the late 1960s.

The evening's program includes opening remarks by curator, Alise Upitis, followed by a screening and remarks by the artist. The screening includes:

Bunkerball,the tale of a man who believes himself the last surviving human. He passes his time by playing a one-person game of soccer in a fallout shelter, although he is all the while haunted by memories of the past. Pastoral images of Bavarian home life are inter-cut with the flashes of horror that may explain his lone status, such as masses of chickens infected with bird flu, chainsaw-wielding monsters, and scenes of both government and terrorist sponsored executions. It serves as a reflection on the hyper-media status of professional sports and the extreme disjunction produced by contemporary media practices.

Three other films will be screened.

Co-Sponsored by The City of Las Vegas Office of Cultural Affairs in partnership with the Contemporary Arts Center of Las Vegas, and the Swiss Arts Council

[text from City of Las Vegas Office of Cultural Affairs press release. Graphic from artist's website. Caption: "Still from Hippie Movie, 2008. Hippie Movie, shot in HD video and Super-8, is a funny, post-romantic documentary about a Hippie movement named Tropolicalia, which was founded by Christoph Draeger in Warsaw as an ironic remake of San Francisco's Summer of Love 1967. In the light of rising social injustice, an unpopular war in Iraq, ecological concerns and a new cold war looming, the film is a meditation on political, social and cultural behavior first coined in the 1960's by the Hippies, who protested and contested many issues that seem to make a comeback today. It is also a celebration of the inventions of 1960's rock music, and last but not least, a hallucinatory, post-psychedelic visual trip."]

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